Showing posts with label art tools. Show all posts
Showing posts with label art tools. Show all posts

Saturday, December 27, 2014

The Tools Of Your Trade

If you are an artist or a photographer for any length of time, I know that you have heard the debate about whether something used differently than it was intended could possibly produce "real" art. Many of the artists and photographers that I chat with on an online forum have often come to verbal blows over this subject. Some of the photographers maintain that they only offer "pure" shots for sale, they don't dabble in the world of photo processing with the likes of Photoshop, or Corel, or any of the other programs that allow one to work with their photos. 

Here's the bottom line - it is very rare for a photo not to need processing of some sort. Even well respected and famous photographers such as Ansel Adams processed his photos - in a darkroom. He would dodge and burn under a special lamp, or use chemicals, to get the effect he was after. Today's digital cameras do the basic processing within the camera now, but they will not give you a pristine picture that matches what you envisioned when you made the shot. Your eyes see things with emotion, the camera is a mechanical object, and will take what it sees with the available environmental issues - the lighting, the wind, your hand not being as steady as you wanted, all these things affect a photo. But if you shoot in Camera Raw, you have left the door open for a chance to make the picture look more like what you wanted to convey by using post processing tools.

When Renoir was painting, he was part of a group of artists who were shunned by the older, established artists in his day. They did not accept these new artists into the fold, did not allow them to exhibit, discouraged art patrons from supporting them, and why? Because they did things much differently than how it had been done before. So, the older artists assumed that these young men (and a few women) were Wrong. And therefore, not real artists.

We all use tools in what we create. I use pottery scrapers in my encaustic work. There are many different types of brushes. There are as many styles of photography as there are people, almost. But often the generation which is older perceives the tools they were taught to use as The Tools. Period. No, they are the tools, and it's open ended. Refusing to take advantage of what's available to use is fine if that's your choice. Being critical of others, dismissing them for going way outside of the box, and condemning them as not being "real" artists is not acceptable, it's small minded and mean. And grossly incorrect.

I had a page in my journal where I had played around with some shapes and some colors. It always looked like it could go somewhere, but I was not sure how to bring it there. So I left it for a while to simmer in the back of my mind. Today I realized that a photo processing tool I had in my virtual toolbox on the computer might make a difference in the appearance and take it where I wanted it to go. So I put the two together, did some blending and tweaking and was very pleased that the final result was just as I had hoped! So it was a mash up between hand painting and digital photo processing. And it couldn't have been better! 

Transformation

No, I just didn't push a couple of buttons. Yes, it required some knowledge and skill. And Yes, I will give this another go with other paintings I have done.

I could expound with even more detail about this subject, and perhaps I will in another post. Meanwhile, I'm just enjoying all the different ways one can create!


Friday, September 27, 2013

Have a Little Sake With Your Hake

Well, no, you might really make a mess!

I recently started exploring with encaustic, which is using beeswax. A serious encaustic artist will use beeswax with color in it to create artwork, by fusing each color in layers. So far I am using it as an experiment on acrylic paint. Hake brushes are the best to use, as they are natural animal hair; brushes made from synthetic hairs will usually loose bristles over time and you will be left with a mess. I love these brushes with the bamboo handles and they were very inexpensive. I bought my brushes at Daniel Smith Artist Supplies. There are several other kinds of Hake brushes with long wooden handles, but I enjoy the artistic look of these brushes.

That's the next piece I will be working on, underneath the brushes. 


I have found that A) if the paint has only been dry for a little while, the wax will stretch it and cause it to move apart, creating a worn look on your piece, and B) if you leave the paint to cure on your piece for a few days (and put a layer of Polymer Medium on it), you can paint with the beeswax and the paint will not come up.

RUSTICA
I did this the using the A) technique. It's mixed media/collage piece using the cover of a 1931 French magazine, acrylic paint, part of an antique European playing card, an old photo from my stash and a watch face with a large spinner arrow attached. I also used clay beads on the left top. You can see how the beeswax moved the paint. 

One more thing to share with you, if you are interested in learning about encaustic, I found this book the easiest to understand, even though I am not doing it to this degree yet.

Click on any photo you would like to see closer!
Come see my latest postcards I've received on Postcards Buffet!