Showing posts with label texture. Show all posts
Showing posts with label texture. Show all posts

Monday, January 19, 2015

Metamorphosis Of A Photo

Today I thought I would show you the steps taken to make the final photo creation.

Here's the photo of a lovely coneflower (which, by the way, I did not take, it is a free stock photo. Free is good!)




 In this next picture, it has been cropped, bringing the selected image closer, and then changed to black and white.


This is a texture sheet; I added it to the photo in Photoshop Elements 13 (PSE13), blended it in the overlay mode with an opacity of 82%.


And this is the result. The writing shows, and the color from the texture adds interest to the photo. I could stop here, but I thought I would go a little further.


 Here I added a filter with Topaz, a wonderful plug in that works with PSE. I really like the resulting warmth and the immediate feeling that there is a story here.

Now the photo is ready to go into the Bellesouth Studio and will be available as prints, pillows, cards and phone cases!

Hope you enjoyed seeing how this was done!


Saturday, September 28, 2013

Two More Pieces Finished, Oh, And A Commission!

Remember the Pear Whimsy? What!! You don't! Well, here it is again:


Well, I've been asked to do another version of the pears, and I won't tell you anymore than that, but I'm excited about this because it's a commission of something I enjoy doing, rather than having to do something to someone else's specification.

I finished these next two today, and they are listed in my art page at Fine art America, and the originals are for sale as well in my Etsy Shop.

BURIED LEDGER
This is done on a 11 x 14 canvas panel, mixed media and collage, with gel medium and a stencil and of course, acrylic paint, and oil pastels.

THREE FISH
Done on 12 x 12 wrapped canvas, this is collage, mixed media and dry wall seam tape, for texture, book pages, oil pastels and acrylic paint. After it had cured for a few days, I added natural color beeswax for an encaustic effect on the surface. And yes, I know the middle fish is upside down! This is a picture of an antique plate and the ancient potter made it that way! 


If you have a chance, tell me which ones you like best! I will be sealing them over the next couple of days and then they will be ready to hang in your home or office!
(Today's Tip - the brightly colored flowers are cut from a dried baby wipe which had been saturated in alcohol inks!)

Click on any photo you would like to see closer!
Come see my latest postcards I've received on Postcards Buffet!

Wednesday, November 7, 2012

Continuing with the Postcards

A few weeks back, I was starting a project making postcards to send to some others who are suffering from the same debilitating illness I have. It was interrupted by a painting I wanted to finish, and a relapse. The beginning posts are here and here, if you would like to see how things started and how they progressed. They are all collage and mixed media.

Now, I have come to the point where I have cut the foam core apart to do individual details; here's what it looked like before I cut it:


I will have 12 postcards total and will be sending them out soon.




There are finishing touches to be done, and the ones with the hearts (which was the board in the 1st picture) still has the furtherest to go. There's always waiting time for things to dry, so that's why you are seeing it in steps! Some of the postcards will be flat, and the majority will be on foam core board.



Come see my latest postcards I've received on Postcards Buffet!

Tuesday, October 9, 2012

Dilemma and A Story: The Right To Ice

My dilemma is that I have several paintings I'd like to begin, and also some new postcards, and a very limited amount of energy. What to do, what to do? Well, since the postcards are for other sufferers of M.E. I thought I would go ahead and start them.

If you have never seen me go through this process, I am sure you will find it interesting as you watch the process of turning something that begins one way into something totally different. Here are the first few steps:

Step one was to paint the top of a piece of Foam Core board with black gesso. I did this to make the overlaying colors appear richer. I usually use a piece which has been cut to 12 x 18, but this piece, 14 x 12, was lying around and I did not want to waste it, so instead of 9 postcards at the finish, I will have 6. The paper piled on top is torn scraps of patterned tissue paper. Choosing and tearing them into pieces was step two.

Step three was to collage the pieces randomly across the Foam Core. No particular pattern, just covering the area.

Because I find these particular tissues too bright for my liking, in step four I covered the board with water thinned acrylic paint to age the appearance. Then I drew cutting lines for later use.

Looks like a cake top doesn't it? Step five includes laying the base down for future texture points. The white on the sides is soft gel, it will be clear when it dries; I added some scalloped crepe paper strips on the top and bottom, and some polka dot crepe paper strips in a vertical line. In the center are two paper doilies collaged over the intersection lines. In making these, it pays to remember that you are not looking for perfection - any distortion causes happy accidents and adds to the individual postcard. I guarantee you that when these are finished, you will be surprised at the difference from beginning to end! You can look for photos of other postcards I made on Foam Core board by using the search button at the top right.

Click on any picture you wish to see closer.

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The Right To Ice 
59th in the Tuesday Story Series

In 2003, my husband and I took a 10 day vacation to the island of Guernsey, which is part of the Channel Islands off of the coast of France. They are now part of the United Kingdom, so we had to fly into London, then take a smaller plane into Guernsey. It was one of the loveliest places I have ever visited. A year later, I traveled to England with a friend for an antiques shopping trip. The reason I mention both is that besides being part of the UK, they have something else in common - warm drinks. 

In the US, we like our ice; even before the Civil War, there were boats which would travel down the Mississippi in the summer with blocks of ice cut from frozen rivers,  wrapped and buried in straw to stay frozen during the journey. In the South, the wealthier people would use ice to help them make it through the long hot summers when their clothing was enough just to make them prostrate with the heat. Ice was something we all grew up with - ads would feature "Ice Cold Beverages" whether soda, lemonade, tea or beer. 


In the UK, and Europe, that is not the case. At that time, I was still drinking Diet Cokes, so when I ordered one the first time, I was surprised to see it in a glass by itself. I took a sip and almost gagged, it was as warm as the day outside. I called the server and handed him the glass, asking for some ice for my soda. He gave me that look, the one I'm sure he gives to All Americans Who Ask For Ice, turned and went to the counter. When he returned and set the glass down with a slight curl to his lip, I looked and there was indeed ice, four whole cubes. And John who wanted to try out their beer, got it warm.

As I reflected on this, the only reason I can figure for the difference (and this is not a scientific study) is that the southern part of the US is much closer to the equator. We must have gotten into the habit early and it took firm root - after all, any Southerner relishes a cold glass of iced tea. In the North, it used to be difficult to find iced tea during the winter, but now it can be found almost anywhere. But jolly olde England is not jolly about serving cold drinks, thank you very much.

Finally I worked out a system where I could have the well iced cold drink I wanted - I began to ask for a soda and an extra full glass of ice. I still got the look, but I didn't care, I was happy. It was a pity poor John could not do the same for the beer!


Come see my latest postcards I've received on Postcards Buffet!

Monday, August 6, 2012

The Midnight Painting

Another difficult night to get to sleep last night, so up to my studio I went to see if I could get the "wired and tired" down to just "tired". I grabbed a canvas and this is what came from my time in the studio.

Mermaid Illusion
(click for details)

This is a 10 x 10 wrapped canvas. The base was painted in two colors of acrylic and then I added a portion of an old French dictionary page, and two other scraps of paper. On the right is part of a Cavellini postcard I had received, where I succeeded in detaching the body of the peacock from the head when I was trying to separate the paper it was printed on. (If I get more than one of an interesting postcard, I try to reuse it in my art.) I decided - why not just use the tail - so it was placed under the tag I had made earlier. You can't see it, but the tag is covered in granular gel, which is why it looks a bit hazy. I then doodled some shapes, added paint, added oil pastels and tied some colorful couched thread through the tag and out onto the painting. I showed this to my daughter and husband, and this piece got the " I really like it except for...." reaction. My daughter didn't care for the tag, but her first impression was one of a mermaid. My husband has never cared for "those thready things" when they show up in my creations. It's an experiment piece, so I don't mind the critiquing. In fact, I'll step out on a limb here - what don't you care for about this piece? Really, let me know! :)

UPDATE - I redid the painting and it's at this link. Check it out!


While I was on the porch, I took a quick shot of Cossette eating. :)


Come see my latest postcards I've received on Postcards Buffet!




Saturday, August 4, 2012

La Grande Soeur

For some reason, Blogger dumped my post and I'm trying again. The post was erased but the comment I had received was still there. ??? Go figure.

Today I worked on a journal page using some of the vintage papers my husband had given me as a birthday gift a few weeks ago. After laying it out and then gluing down the papers, I realized that my original plan was not going to work, and since the vintage image was already glued down, I had to immediately think of another approach. Many artists have a saying about "happy accidents" and that's what this was for me. Having those kinds of accidents or mistakes really gives you good experience and deepens the learning process.

La Grande Soeur
(click for details)

In the first go-round, I had layered vintage French dictionary pages, and the vintage image and applied paint. The image was too far up on the paper (what was I thinking?) to work well, and so I began to look at what else I could use and yet not lose my focus point. I tore yellow tissue paper into strips, layering them on with soft gel medium. I added paper flowers, and punched some smaller flowers out of the left over papers. I added more paint, some texture with pieces of grouting tape, layered some more, added a moth transfer and then made liberal use of my oil pastels. I am pleased with this journey, and now I tell myself of course I meant to put the image that high! The name translates into "The Big Sister" and you can see it at the bottom of the page. Happy accidents - gotta love them as an artist!

Lately people have been telling me that I should sell some of my work, but I don't know. I put so much attention and work into them that they become a bit like my children.
But, I'm still thinking about it!


Come see my latest postcards I've received on Postcards Buffet!